Selected Works

2020 Pleasures Against Nature, RMIT Intersect

Pleasures Against Nature –  13 March to 19 March 2020

Encounter a new site-specific installation from one of Australia’s most exciting contemporary artists, Paul Yore. Taking its title from an expression found in 18th and 19th century discourses condemning gay … Continued

2020 Titled

2020 Classy, Bayside Gallery

Classy –  14 March to 10 May, 2020

Melbourne-based artist Fiona McMonagle is well-known for her watercolours that probe the darker side of pedestrian life in the suburbs.

Featuring watercolour, oil painting and video works that span the last decade … Continued

2020 Adelaide Biennial of Australian Art: Monster Theatres

Artist Statement

Stories of metamorphosis and hybridity, the bastions of the monstrous, have permeated my work in various ways for many years. I am fascinated by the notion of transformation and that critical point at which a bodily change takes … Continued

2020 Long Story Short, Maitland Regional Gallery

2020 Outside Painting

Download: Outside Painting – Catalogue

In Through Your Window

By Laura Skerlj

In her 1987 novella-cum-painting-meditation titled f, German-born artist Jutta Koether wrote: “When you make art, you’re often asked: ‘What’s art doing?’ But never what the things are doing … Continued

2020 Crown Of Thorns

Paul Yore
Crown of Thorns

Gippsland-based artist Paul Yore’s solo exhibition ‘Crown of Thorns’ brings together new textiles, assemblages and collages, continuing the artist’s decade-long personal and candid investigation into the intersection of religion, sex, politics and popular culture. Taking … Continued

2019 Hello Blue Sky

Hello blue sky.

It has been ten years since I first exhibited with Hugo Michell Gallery in Adelaide. We use time as a marker, for obvious reasons, and this milestone has had me wondering whether I’ve spent more time in … Continued

2019 The Crimson Line

The Crimson Line

Born in the steel city of Newcastle, and growing up with his father working at Tubemakers it was only a matter of time before Trent Parke was drawn in by the industrial landscape that surrounds the Adelaide … Continued

2019 Super Natural Geologies

 

In Super Natural Geologies, Amy Joy Watson’s shimmering embroideries and rainbow wire hills reimagine utopic landscapes, moving beyond the natural world as we know it. The geometric quality of these threaded surfaces references the artist’s earlier sculptural works, with … Continued

2019 IT’S ALL WRONG BUT IT’S ALRIGHT, DARK MOFO FESTIVAL TASMANIA

2019 The Quick Brown Fox

around a golden sun

Artist Statement

I love those hot, windless summer evenings. There is a quiet stillness to the world that seems magnified by the mirrored surface of the sea. The last fingers of sun loiter over the beach, reaching out hanging on … Continued

2019 Living Rocks: A Fragment of the Universe, La Biennale di Venezia

Addressing the question: what was our planet three billion years ago? The installation Living Rocks: A Fragment of the Universe is a South Australian collaboration by artists James Darling and Lesley Forwood, Jumpgate, composer Paul Stanhope, and the Australian String … Continued

2019 Dazzleland

2013 Melbourne Now, National Gallery of Victoria

2019 The DNA of Colour, Orange Regional Gallery

Purchase publication here.

2019 Both Ways

2019 After Nature, Museum of Contemporary Art Australia

Narelle Autio

2019 Defining Place/Space: Contemporary Photography from Australia, Museum of Photographic Arts, San Diego

2019 Areola

The Fragile Border

 … the fragile border … where identities (subject/object, etc) do not exist or only barely so – double, fuzzy, heterogeneous, animal, metamorphosed, altered, abject.[i]                             –   Julia Kristeva

Convention leads us to believe that the photographic border … Continued

2019 The National: New Australian Art, Museum of Contemporary Art Australia

Tony Garifalakis | by Macushla Robinson, 2019

In my grandmother’s house there was a corkboard to which she affixed photographs. She never took any of them down, and gradually the board became a crowded collage of decades past – old … Continued