Janet Laurence’s latest project will be exhibiting in Sydney from 13 to 28 February from 6 to 9pm at Paddington Reservoir Gardens:
“Sydney’s latest must-visit tasting bar is serving something more precious than vintage French bubbles or Japanese whiskey: our natural water supply.
H2O: Water Bar is a reflective, glassy glistening installation by Janet Laurence that allows you to sample a variety of water sourced from diverse regions of Australia.
Outfitted like an apothecary or laboratory, H2O: Water Bar is set amongst the heritage industrial space of the Paddington Reservoir Gardens’ inner chamber, opened to the public especially for this installation.
Australia’s identity is forever tied to our relationship with water, from the waterholes used as weapons during the colonial era, to the long droughts that affect our regional communities, and the environmental threats to the future of Australia’s ground water. By inviting you to experience the qualities of different Australian waters, H2O: Water Bar helps us to better understand the complexity and fragility of this vital resource.”
Trent Parke in ‘Public Image, Private Lives: Family, Friends and Self’ at the Art Gallery of South Australia
Public Image, Private Lives: Family, Friends and Self is now open at the Art Gallery of South Australia!
The spectacular exhibition features works by our own Trent Parke, as well as by Julia Margaret Cameron, Harold Cazneaux, Max Dupain, J.H. Lartigue, Andy Warhol, Carol Jerrems, Pat Brassington, Sue Ford, Mark Kimber, Ann Newmarch, Ian North and William Yang.
Public Image, Private Lives, open until July 3, delves beneath the surface of familiar (and some unfamiliar) images in Australian and international photography, to highlight close connections between the photographer and subject, whether they be friends, family members or the photographers themselves.Parke most recently exhibited at the Art Gallery of South Australia in 2015, premiering The Black Rose. Public Image, Private Lives presents works by Parke from the iconic The Christmas Tree Bucket.Image: Trent Parke, Hotdog Man, 2008, from The Christmas Tree Bucket, pigment print, 72 x 90 or 32 x 40 cm, ed. of 8Image: Trent Parke, Celebrity heads, 2008, from The Christmas Tree Bucket, pigment print, 72 x 90 or 32 x 40 cm, ed. of 8Image: Trent Parke, Dash and doll, 2008, from The Christmas Tree Bucket, pigment print, 72 x 90 or 32 x 40 cm, ed. of 8
Hugo Michell Gallery is pleased to announce that it will exhibit at Art Stage Singapore, from 21 to 24 January 2016.
Art Stage Singapore is the leading Asian art fair connecting the world to the best of Asian contemporary art. Art Stage Singapore presents the diversity of contemporary art rising from the region, including galleries and artists from Southeast Asia, China, India, the Middle East, Australia and New Zealand.
For Art Stage Singapore 2016, Hugo Michell Gallery will present a selection of works from Magnum photographer Trent Parke’s The Black Rose, new works by painter William Mackinnon, and new works by Ukranian-born Australian artist Stanislava Pinchuk, also known as Miso.
Image: Trent Parke, Cockatoo #1, Newcastle, 2011, from The Black Rose, pigment print, 120 x 150 cm, ed. of 7.
Image: William Mackinnon, Coast to coast, 2015, oil on synthetic canvas, 150 x 200 cm.
Image: Stanislava Pinchuk [Miso], Moon (Protest Deaths in Ukraine, Jan-May 2014), 2014, pin-pricks on paper, 150 x 110 cm.
The Monash Gallery of Art presents Trent Parke’s The Camera is God. This is a significant exhibition by and for Parke, the internationally-renowned Australian photographer. The MGA will be presenting this exhibition alongside a range of Parke’s work recently acquired for its collection. The Camera is God will run from 26 November 2015 to 21 February 2016.
Image: Trent Parke, No. 893, Candid portrait of a man on a street corner, Adelaide, Australia, 2013, from The Camera is God, pigment print, 80 x 60 cm, ed. of 2.
From 17-27 November, Janet Laurence presents Anthropocene with Scottish artist Angela Palmer at the Fine Art Society in London.
Anthropocene (from the Greek anthropo – ‘man’, and cene –‘new’) is the name used to denote the proposed new geological era due to supersede the current Holocene epoch as a formal scientific recognition of the prevailing and irrevocable impact of human life on earth.
Both Laurence and Palmer share an interest in the changing face of the environment and humanity’s effect on the planet and will present, shown alongside each other for the first time, works reflecting this ever-present issue.
Image: Janet Laurence, Homeopathy #3, Coral Collapse, 2015, from Reef Resuscitation, Kodak metallic type C photographic paper, processed in RA-4 chemistry, 129 x 90 x 5 cm.
Congratulations to James Dodd, Paul Sloan and Amy Joy Watson – all South Australian artists shortlisted for the Gold Coast Art Prize!
Now in its 47th year and hosted by the Gold Coast City Gallery, the Prize includes a total of $30,000 for acquisitions.Exhibition opens 5 December 2015 and closes 31 January, 2016. Find out more here!Image: James Dodd, This is a painting that I had hoped to make years ago, 2015, acrylic & enamel on canvas, 61 x 46 cm.
Congratulations to Nadine Christensen and Elvis Richardson, who have been selected as finalists for the 2015 Darebin Art Prize!
The Darebin Art Prize is a biennial national multi-medium acquisitive art prize awarding excellence in contemporary visual art.
The $10,000 acquisitive prize includes a wide range of contemporary practices.
The exhibition opens 10 December 2015 at the Bundoora Homestead Art Centre and closes 21 February 2016. More information on the Prize here!
Image: Nadine Christensen, Untitled (Three Piles), 2014, acrylic on board, 120 x 150 cm.
Image: Elvis Richardson with James Hayes, Episode 1: Dear Daddy, 2015, two framed photographs, embedded soundtracks looped, headphones and extension cords, unique metal stand, dimensions variable.
Elvis Richardson is currently exhibiting in both NSW and VIC.
Curated by Carrie Miller, Richardson exhibits alongside an impressive group of artists in: Exhibit A at The Lock-Up – an old Newcastle Police Station:
In an era when the conventional boundaries between artistic genres are becoming less relevant, and the subject matter of art is ever broadening so that what constitutes art is constantly being thrown into question, the topic of crime, criminality and the criminal subject presents fertile conceptual ground for artists who are already engaging with the nature of ‘community standards’ and ‘acceptable’ moral conventions in relation to their own discipline.
Exhibit A runs from 30 October to 6 December 2015. More details here!
Image: Elvis Richardson, Art Problems, 2015, digital print on canvas, 220 x 90 cm.
Richardson is also exhibiting in A Crafted History, curated by Lisa Byrne and Jane O’Neill at Realm Artspace, Maroondah City Council Melbourne. Richardson has created an epic installation from VHS tapes donated by the local community.
A Crafted History runs 7 November 2015 to 10 January 2016.
Image: Elvis Richardson, Televisuals: Do Not Tape Over, 2015, 2475 home-recorded VHS cassettes donated by the local community.
Janet Laurence’s Deep Breathing (Resuscitation for the Reef) will exhibit at the Muséum national d’Histoire naturelle in Paris, for the Climate Change Conference of the United Nations Framework Convention on Climate Change Convention, also referred to as UNFCCC or COP21.
Laurence is one of 30 artists from 23 countries selected by the United Nations to exhibit works across Paris for the climate change talks. Together the works are presented by the UN as Artists 4 Paris Climate. Using photographs, videos, sculptural objects, natural materials and borrowed specimens, Janet’s work for this exhibition is a new site-specific, immersive installation drawing upon research in collaboration with scientists from the Great Barrier Reef Authority, the Australian Institute of Marine Science, the Australian Museum, the Muséum national d’Histoire naturelle, the Lizard Island Research Station and the WWF.
This installation – in the Grande Galerie de l’Evolution at the MNHN – reflects on major climate change issues directly affecting the Great Barrier Reef. It is accompanied by a video work filmed during a residency on Lizard Island in Australia, which is projected at the Tropical Aquarium of Palais de la Porte Dorée. The works are also on display for fiac!, the Paris International Contemporary Art Fair.
Deep Breathing (Resuscitation for the Reef) will travel to Australia to exhibit at the National Museum in 2016.
Congratulations Janet, we look forward to seeing it back in Australia!
Check out Nathan Seppelt’s review of James Dodd’s recent exhibition Pigment High on THIS IS RADELAIDE.
Image: James Dodd, Devil marks, 2015, from Pigment High, acrylic & enamel on canvas, 61 x 46 cm.