Congratulations to Stanislava Pinchuk, winner of the Glenfiddich Artist in Residence Prize! Now in its fifteenth year, the Glenfiddich Artist in Residence Prize is valued at $21,000 and includes a three month residency in Dufftown, Scotland. During the residency artists … Continued
Richard Lewer is exhibiting in Close to home: Dobell Australian Drawing Biennial 2016 at the Art Gallery of New South Wales, alongside Jumaadi, Maria Kontis, Noel McKenna, Catherine O’Donnell, and Nyapanyapa Yunupingu. The artists have been selected as they share … Continued
Congratulations to Richard Lewer, winner of the 5th Basil Sellers Art Prize!
Now in its final year, the Basil Sellers Art Prize is a $100,000 acquisitive prize, with a focus on the theme of ‘art and sport’. The exhibition creates … Continued
““It’s a strangely confronting video which will attract people as they walk into the entrance,” Roet says.””
Lisa Roet’s Heart Beat is an immersive installation exhibited at the Australian Experimental Art Foundation. The work is on display until April 2nd. … Continued
Jane Llewellyn reviews William Mackinnon’s Internal Weather for The Adelaide Review, now at Hugo Michell Gallery:
““I really want to get across my experience and the feelings associated with these places,” Mackinnon says. “It’s not really representational of a … Continued
Thanks to Art Guide for their write-up on our Janet Laurence’s latest project, H20: Water Bar!
Janet says of the project:
““It’s funny how in Australia we’ve got that reaction, that we’ve got plenty here and we’re OK. Our … Continued
Lisa Roet ‘s Heart Beat is now exhibiting at the Australian Experimental Art Foundation, until 2 April.
Berlin-based Rachel Vance writes in the catalogue: “Her large-scale, theatrical projection Heart Beat (2014-16) confronts audiences with an enlarged three-dimensional projection of a … Continued
Janet Laurence’s Deep Breathing (Resuscitation for the Reef) will exhibit at the Muséum national d’Histoire naturelle in Paris, for the Climate Change Conference of the United Nations Framework Convention on Climate Change Convention, also referred to as UNFCCC or COP21.… Continued
Check out Nathan Seppelt’s review of James Dodd’s recent exhibition Pigment High on THIS IS RADELAIDE.
Image: James Dodd, Devil marks, 2015, from Pigment High, acrylic & enamel on canvas, 61 x 46 cm.